Mame Mor Thiam: Senegalese fine-art architecture photographer exploring identity, heritage, and modern life

Mame Mor Thiam is a young photographer from Senegal living just outside Dakar. He enjoys going out to take photos, but his attention soon shifts to the buildings around him.

These are the same buildings he passes by daily without really noticing. Focused on Fine-Art Architecture Photography, he treats each picture as a work of art in its own right

How did you get started in photography?

My father had a big impact on me. Growing up with him as a computer scientist, I became familiar with technology early on. I still remember the first camera I ever held — a grey Sony compact digital camera he owned. I’ve been into street photography since 2017.

It appeals to me because it feels like a way to connect with life and freedom. Over time, my focus shifted towards the huge, quiet buildings overlooking Dakar.

Inspired by my friend and fellow filmmaker and photographer Chérif Mohamed Habib Guéye, I’ve been putting my time and energy into Fine Art Architecture Photography.

How would you describe yourself?

I’m pretty calm and sociable, and I like to joke around, especially with people I care about. I’m also a good listener. I don’t mind spending time alone in my own space, thinking or reflecting, since that’s when my photography ideas usually come to me. I really enjoy Touba coffee — it’s a spicy kind from Senegal.

What are the main themes that inspire your photography?

My photography is mainly focused on identity, heritage, culture, and modern life. As African artists, we need to connect with others by sharing who we are, our culture, and, especially, the modern changes Africa is undergoing. Through my pictures, I try to show these ideas to people.

What moment in your career are you most proud of?

I feel proud of every picture I take. Even though I haven’t had any clients or shown my work in exhibitions yet, I’m happy with the projects I’ve put out and the response I’ve received so far.

What is the biggest challenge you've faced as a photographer?

In Dakar, taking photos inside buildings can be tricky. Sometimes people chase you away, or they say no gently. But with a bit of cleverness, I manage to get a good shot. I’ve realised that not everyone is happy when you take pictures of them or their things.

What type of photography do you specialise in?

I focus on black-and-white architectural photography, especially in a fine-art style. I chose Africa because it has some amazing buildings worth sharing, starting with Senegal.

Over time, my approach has shifted from straightforward realism to a more intense superrealism, where I pay close attention to light and geometric forms above all else.

What is your primary commercial niche?

I often hear opinions and thoughts from people who love wall art. This has shaped my focus on creating striking architectural pieces that work well as statement artworks in interior spaces, appealing to collectors and design-conscious clients.

What is your unique technical or visual approach?

When I edit photos in Photoshop, it can sometimes take me up to a month. Usually, the final image ends up with strong black tones, and the light is arranged to draw attention to the main subject.

Which global brands, photographers, or industries do you feel your work aligns with most?

I feel my work is quite similar to that of Leo Fontanel, a black-and-white architecture photographer.

How's the photography and art space in Senegal?

My country is full of artists, and art is everywhere. Even though there are some shortages, artists are still well represented. Photography is growing rapidly, and more young people are becoming interested in it. Since most of the population is young, that’s a positive sign.